GROUP
AND SOLO EXHIBITIONS
2006
Playing
Tricks. Two person exhibition with Maria Hupfield.
American Indian Community House. Curator - Ryan Rice.
March 31, 2006 - April 29, 2006 New York City, New York.
USA.
2005
Super
Phat Nish. Solo exhibition. The Art Gallery of
Southwestern Manitoba. Curator - Catherine Mattes. February
25, 3005 - April 9, 2005. Brandon, Manitoba.
2003
The
Dress Show: La mode dans tous ses états.
Group exhibition. The Leonard and Bina Art Gallery.
Curator - Lynn Beavis. April 22 - May 31, 2003. Concordia
University, Montréal, Quebec, (Bilingual Catalogue).
2002
Everyday
Light - A Collection of Photos and Memories of Our Past.
Touring Group Exhibition. Fall 2002 - Fall 2005.
Thunder Bay Art Gallery, Thunder Bay, Ontario (Catalogue).
Contract.
Beaded page of Indian Act for artist Nadia Meyer’s
solo exhibition. Curator - Rhonda Meier. May-June
2002. Gallerie Oboro, Montreal, Quebec.
2001
Interface:
Textile, Technology and the Personal. Group exhibition.
Curator - Lynn Beavis. July 19, 2001 - August 3, 2001.
White Mountain Academy for the Arts, Elliot Lake, Ontario.
In
Control - Luminous Gravity. Group exhibition.
SAW Video, Registry Building, Ottawa, Ontario.
2000
Urban
Myths: Aboriginal Artists in the City. Group
exhibition.July 10, 2000 - September 24, 2000. Curators
- Sandra Dyck and Jeffery Thomas. Karsh-Masson Gallery,
Ottawa City Hall, Ottawa, (Catalogue).
First
Nations’ Art 2000. Group exhibition. May
14 to August 31, 2000. Curator - Tom Hill. Woodland
Cultural Centre, Brantford, Ontario.
1999
Emergence
from the Shadows - First Peoples Photographic Perspectives.
Group exhibition. Curator - Jeffrey Thomas. October
28, 1999 to January 2002. Canadian Museum of Civilization,
Hull, Quebec.
The
Living Room Sculpture and Recent Acquisitions.
Group exhibition. January 14-29, 1999. Ottawa-Carleton
Centre, Ottawa, Ontario.
Tattoo
Nation. Group exhibition with Nation to Nation
(Montreal) National touring exhibition.
1998
101
Frames: Gallery 101 Annual Art Auction. Group
auction of works by local artists. Gallery 101, 236
Nepean Street, Ottawa, Ontario.
First
Nations Art 98. Group exhibition. Curator - Tom
Hill. May 3-31, 1998. Woodland Cultural Centre, Brantford,
Ontario.
Modern
Indians Standing Around at the Post. Solo exhibition.
Curator - Kevin Gibbs. March 28-April 25, 1998. Gallery
101, 236 Nepean Street, Ottawa, Ontario.
1997
101
Frames: Gallery 101 Annual Art Auction. Group
auction of works by local artists. Gallery 101, 236
Nepean Street, Ottawa, Ontario.
1996
101
Frames: Gallery 101 Annual Art Auction. Group
auction of works by local artists. Gallery 101, 236
Nepean Street, Ottawa, Ontario.
COLLECTIONS
City of Ottawa
Royal Ontario Museum
Woodland Cultural Centre
private collections
GRANTS
City of Ottawa
Ontario Arts Council
Canada Council for the Arts
JUROR
Ontario Arts Council
Saskatchewan Arts Board
Canada Council for the Arts
PUBLICATIONS
2003
Rosalie
Favell: I searched many worlds. Collecting Many
Worlds. Winnipeg Art Gallery. pp. 21-28.
2002
(Ad)dressing
Our Words - Aboriginal Perspectives on Aboriginal Literatures.
Cover Art. Theytus Books Ltd., Penticton, British Columbia
Theytus
Books Ltd., Spring 2002 Catalogue. Cover Art.
Theytus Books Ltd., Penticton, British Columbia.
2000
Who
Stole the Teepee. Contributing writer. Atlatl
Inc. Museum of the North American Indian, New York City,
New York, USA.
Longing
and not Belonging: Rosalie Favell. CV Photo.
Winter 2000. No.53. Productions Ciel Variable 2000,
Montreal, Quebec. pg. 23 - 30.
From
Stereotype to Archetype. Exhibition catalogue
for Maria Hupfield and Danny Cutfeet. Indian Art Centre
(DIAND), Artist-in-Residence, Hull, Quebec. August 2000.
Shamanic
Images. Exhibition catalogue for Rick Rivet.
Indian Art Centre (DIAND), Artist-in-Residence, Hull,
Quebec. January 2000.
1999
pelage. Exhibition
catalogue for Mary Anne Barkhouse. Indian Art Centre
(DIAND), Artist-in-Residence, Hull, Quebec. November,
1999.
Osopikahikiwak.
Exhibition catalogue for Rick Rivet and Jane Ash-Poitras.
Co-authored with Gerald McMaster.
Canadian Cultural Centre, Paris, France. June - October,
1999
Fix
The Gaze...The Repartive Act 1999. Exhibition
catalogue for Linda Young. Indian Art Centre (DIAND),
Artist-in-Residence Program, Hull, Quebec. June, 1999.
Ravens
Wait. Exhibition catalogue for Michael Belmore.
Indian Art Centre (DIAND), Artist-in-Residence Program,
Hull, Quebec. April, 1999.
Longing
and Not Belonging. Exhibition catalogue for Rosalie
Favell. Co-authored with Ryan Rice. Indian Art Centre
(DIAND), Artist-in-Residence Program, Hull, Quebec.
February, 1999.
I,.
Exhibition catalogue for Audrey Greyeyes. Indian Art
Centre (DIAND), Artist- in-Residence Program, Hull,
Quebec. November, 1998.
For
Fearless and Other Indians. Exhibition catalogue
for
Shelley Niro. Indian Art Centre (DIAND), Artist-in-Residence
Program, Hull, Quebec. October, 1998.
inter/SECTION.
Exhibition catalogue for Jeffrey Thomas.
Indian Art Centre (DIAND), Artist-in-Residence Program,
Hull, Quebec. January, 1998
Transitions:
Contemporary Canadian Indian and Inuit Art. Curatorial
notes in Inuit Art Quarterly, Vol 13, No. 1 Spring,
1998, p. 32-34.
1997
Transitions:
Contemporary Canandian Indian and Inuit Art.
Exhibition catalogue (DIAND). QS-3581-000-BB-A2; Catalogue
No. R32-173/1997; ISBN 0-662-63053-X
1995
Kokiibinaagan:
Symbols of Cultural Continuity in Celebration of Indigenous
Thought and Expression, Lake Superior State University
Press. Sault Ste. Marie, Michigan, U.S.A.
BIBLIOGRAPHY
2005
Mattes, Cathy. Super
Phat Nish. The Art Gallery of Southwestern Manitoba,
Brandon, Manitoba.
2003
Beavis, Lynn. The
Dress Show: La mode dans tous ses états.
The Leonard and Bina Art Gallery, Concordia University,
Montreal, Quebec.
Collin, Sara. Dressing
up: Exhibit depicts fusion of dress, gender and identity.
Concordia’s Thursday Report, Online. May 1, 2003.
Concordia University. Montréal, Quebec.
2002
Rice, Ryan. Presence
and Absence: Indian Art in the 1990s. Definitions of
Visual Culture V: Globalisation and Post-Colonialism.
Musée d’art contemporain, Montreal, Quebec.
p.p. 77-104.
2000
Beavis, Lynn.
Interface: Textile, Technology and the Personal.
Press Release. White Mountain Academy for the Arts,
Elliot Lake, Ontario. July 19, 2001.
Dyck, Sandra. Urban
Myths: Aboriginal Artists in the City. Karsh
-Masson Gallery, Ottawa City Hall, Ottawa, Ontario.
Payne, Carol.
Counterpoint in The Journal of Media Arts and Cultural
Criticism Vol. 27 No. 6. MAY/JUNE 2000. A publication
of the Visual Studies Workshop,
Rochester, N.Y. p.16-17.
Halkes, Petra.
"Emergence from the Shadow": Past Tense, Present
Solution. Border Crossings: A Magazine of the
Arts, Issue No. 76. p. 93-95.
Shinhat, Molly Amoli K. Pushing
people beyond boundaries. Ottawa Xpress. September
14, 2000.
Urban
Myths: Aboriginal artists in the city. Ottawa
Xpress. July 20, 2000. p.3.
Dumas, Eve. Prendre
racine dans la ville. Le Droit. July 22, 2000.
p. A2-4.
Gessell, Paul.
Aboriginal artists apply humour to history.
Ottawa. Citizen. July 15, 2000. p. K7.
Roston, Margo. Aboriginal
Art Show (Photo). Ottawa Citizen, Monday, July
17, 2000. p. D2.
1999
Comminiqué. First
Peoples Past and Present Featured in Stunning Photographic
Exhibition at the Canadian Museum of Civilization.
Canadian Museum of Civilization, Hull, Quebec, October
21, 1999.
Shinhat, Molly Amoli K. Bridging
the continental divide. Ottawa Xpress. October
28, 1999. p. 21.
Thorne, Stephen. Exhibit
links past, present. The Halifax Cronicle. October
25, 1999. p. A6.
King, Alan. A
new native perspective. Ottawa Citizen.
October 25, 1999. p. B10.
Barrière, Caroline.
Faire la lumiére sur le noir et blanc.
Le Droit. Ottawa-Hull. October 23, 1999.
Lamarche, Bernard. Choc
de culture autochtone. Le Devoir. October 22,
1999. p. B10.
Fraser, Graham. Portraits
of a people. The Globe and Mail. November 30,
1999. p. R2-3.
Lamarche, Bernard. Ombre
au tableau. Le Devoir. December 4, 1999. p. B9.
Thorne, Stephen.
First Nations photo exhibit defies early
stereotypes. National Post (Metro). December
13, 1999. p. D11.
1998
Euteneier, Anita. Takes
on Time. (Review for Rosalie Favell) Capital
City, February 4 -10, 1999. Vol. 1 #42.
Deputy
Minister's Outstanding Achievement Awards (Photo).
Intercom. January 1999 (DIAND) QS-6125-009-BB-A1. p.5.
MacIntyre, Wendy.
For Fearless and Other Indians: Shelley Niro Art Exhibition
Celebrates Spirit of Survival. (Photo). Transition,
November - December (DIAND) QS-6131-006-BB-A1. p. 4.
Muir, Andrew. Victory Inc. HOW
The Bottomline Design Magazine. December 1998. p82-89.
Junços, Carmen. A
que no los conoce...?. La Republica. San Jose,
Costa Rica April 29, 1998. p.5B.
Scott, Michael. Inuit
and Indian art defies typecasting in show at Museum
of Anthropology. The Vancouver Sun. July 11,
1998. p. C2.
Martin, Lee-Ann and Morgan Wood.
Shaping the Future of
Aboriginal Curatorial Practice. (Photo). Inuit
Art Quarterly, Vol 13, No. 2 Summer, 1998, p. 22-24.
Wawzonek, Donna.
Creation's laughter in native art. (Photo). Ottawa
Citizen, April 7, 1998. p. F3.
Griffith, Andrew. Life
of Extremes. Capital Xtra, No. 56. April 17,
1998. p.31.
Mix Magazine, Artist-Run
Culture, (Photo). Winter 1997-1998. Vol. 23-3.
p.29.
1997
Mauzé, Marie.
Image(s) et histoire(s) (Photo). Gradhiva - Revue
d’histoire et de d’archives de l’anthoropologie.
Paris, France. Sommaire no. 22. 1997. p.99-104
Canadian Cultural News, Visual
Arts (Review of Transitions: Contemporary Canadian Indian
Art). Canadian Consulate General, Syndey, Australia.
Transitions:
Contemporary Canadian Indian and Inuit Art.
(Photo). New Zealand Herald. Monday, October 13, 1997.
p.A7
Giulia Bogliolo Bruna. Transitions:
l’art contemporain des Indiens et des Inuits du
Canada al Centro Culturule Canadese, 5 rue Constantine
Paris 7'me. L’Europa, Rome, Italy. March 1997.
p. 15.
Diane Koven.
DIAND’s Resident Artists: Barry Ace and July Papatsie.
Intercom, September 1997 (DIAND) QS-6102-010-BB-A1.
p.4-5.
Wendy MacIntyre.
Contemporary Aboriginal Art Exhibit from DIAND's Collection
Wows Paris. Transition, April 1997 (DIAND) QS-6101-009-BB-A1.
p. 7-8.
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