To view cover images scroll right on laptop or down on Iphone
A listing of several catalogues are available through the Thomas J. Watson Library of the Metropolitan Museum of Art (New York, New York) through their on-line catalog Watsonline. The Thomas J. Watson Library at the MET is an actively used site of research in modern and contemporary art, and one of the most comprehensive in the world.
The Heard Museum in Phoenix, Arizona also have a listing of publications through their on-line catalog,Billie Jane Baguley Library and Archives and Native American Artist Resource Collection Online.
The National Gallery of Canada also maintain a listing of publications through their on-line Library and Archives.
A COMPLETE CATALOGUE, PUBLICATION AND VIDEO LISTING:
2026
Rough and Ready: A History of Cowboy Boots. Elizabeth Semmelhack. Rizzoli Electa. Release date March 17, 2026.
2025
Craft and Craftivism: A Biographical Dictionary of Ceramic, Fibre and Glass Artists. The Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University, Montreal, Quebec. 3-volume e-publication.
2024
Making Art from a Human Rights Standard. Brian Phillips. Art Rights Truth (ART). Art Rights Truth is a research project led by the Centre for Applied Human Rights and the History of Art Department at the University of York, UK funded by the Arts and Humanities Research Council (AHRC), part of UK Research and Innovation. (on-line essay).
Radical Stitch. MacKenzie Art Gallery. Organized and circulated by the Mackenzie Art Gallery (Regina). Art Gallery of Hamilton (Hamilton), Thunder Bay Art Gallery (Thunder Bay), National Gallery of Canada (Ottawa), Beaverbrook Art Gallery, Fredericton, New Brunswick, Eiteljorg Museum (Indianapolis).
Future Imaginaries: Indigenous Art, Fashion, Technology. Autry Museum of Western Art, Los Angeles, California. September 15, 2024 – June 2026.
2023
Centre Intermondes 20 ans de résidences internationales d’artiste (2003 – 2023). Centre Internmondes 11 bis rue des Augustins, 17000 La Rochelle, France. October 2023.
Early Days: Indigenous Art at the McMichael. International touring group exhibition. McMichael Canadian Art Collection, Kleinburg, Ontario.
Histórias Indígenas [Indigenous Histories]. International group exhibition. Organized by Museu de Arte de São Paulo (Brazil), in collaboration with the Kode Bergen Art Museums (Norway).
Bruce House Annual Report 2022-2023, Ottawa, Ontario. (cover art).
Beyond the Bead. Two-person exhibition. Barry Ace and Sharl G. Smith. Curator: Peter Flannery. Canadian Clay and Glass Gallery, Waterloo, Ontario.
Fashion Fictions.Vancouver Art Gallery, Vancouver, British Columbia. Edited by: Stephanie Rebick. Contributions by: Himikalas Pamela Baker; Julian Bleecker; Lucie Chan and Zoë Chan; Clinton Cuddington; Hélène Day Fraser and Keith Doyle; Amber-Dawn Bear Robe; Siobhan McCracken Nixon; Stephanie Rebick; Andrea Valentine-Lewis; and others.
United Nations Declaration on the Rights of Indigenous Peoples: Possible Interpretations (Volume 1). Les Cahiers du CIÉRA, Centre interuniversitaire d’études et de recherches autochtones, Université Laval, Québec, QC. (cover art).
2022
Moving the Museum: Indigenous + Canadian Art at the AGO. Edited by AGO curators Wanda Nanibush and Georgiana Uhlyarik. Goose Lane Editions (2022).
Encoding Culture II: The Works of Barry Ace. Video Short, Heffel Galleries (Montreal, Toronto, Calgary and Vancouver).
Encoding Culture II: The Works of Barry Ace.Heffel Galleries (Montreal, Toronto, Calgary and Vancouver). Essays by Leah Snyder.
Persistence/Resistance: Taiwan – Canada Indigenous Art Exhibition. Tainan Art Museum, Tainan, Taiwan.
Looking the World in the Face. Group exhibition. Curator: Amin Asladen. Âjagemô Art Gallery (Canada Council for the Arts), Ottawa, Ontario
Ottawa Art & Artists: An Illustrated History by Jim Burant, Art Canada Institute, Toronto, Ontario.
2021
Barry Ace curated. The Covert Collective. Essay by Suzanne Luke.
Encoding Culture: The Works of Barry Ace. Solo exhibition. Heffel Galleries (Montreal, Toronto, Calgary and Vancouver). Essays by Leah Snyder and Rosalin Te Omra.
Art of Indigenous Fibers. Group exhibition – Curator – Amber-Dawn Bear Robe. SWAIA on-line exhibition. Santa Fe, New Mexico
2020
Àbadakone / Continuous Fire / Feu continuel. Group exhibition. National Gallery of Canada, Ottawa, Ontario.
2019
Coalesce. Robert Langen Art Gallery, Wilfrid Laurier University, Waterloo, Ontario with essay by Armand Garnet Ruffo. (PDF catalogue).
mazinigwaaso / to bead something – Barry Ace: Bandolier Bags as Cultural Conduit. FOFA Gallery, Montreal, Quebec (en français ici)
Carbon and Light: Juan Geuer’s Luminous Precision. Group exhibition. Curator – Caroline Seck Langill. Ottawa Art Gallery, Ottawa, Ontario
2018
URL: IRL. Group exhibition. Dunlop Art Gallery, Regina, Saskatchewan
Contemporary Indigenous Arts in the Classroom. Ottawa Art Gallery, Ottawa, Ontario
Àdisòkàmagan / Nous connaître un peu nous-mêmes / We’ll all become stories. Group exhibition. Ottawa Art Gallery, Ottawa, Ontario
2017
Homage to Four in Paris. A film short by Shelley Niro and edited by Katharine Asals. Special commission for the Ottawa Art Gallery, 2017. Collection of the Ottawa Art Gallery.
Unsettled. Group exhibition. Queer Arts Festival. Vancouver, British Columbia
Always Vessels. Group exhibition. Carleton University Art Gallery, Ottawa, Ontario
QueerLandscapes / Queer Intersections. Group exhibition. John B. Aird Gallery, Toronto, Ontario
Insurgence / Resurgence. Group exhibition. Winnipeg Art Gallery, Winnipeg, Manitoba
Canadian Biennial 2017. Group exhibition. National Gallery of Canada, Ottawa, Ontario
Mnemonic (Re)Manifestations. Solo exhibition. Wanuskewin Heritage Centre, Saskatoon, Saskatchewan (For Mnemonic (Re)Manifestations essay only by Alan Corbiere)
Raise a flag: works from the Aboriginal Art Collection (2000-2015). Group exhibition. Curator – Ryan Rice. OnSite Gallery, Ontario College of Art and Design University, Toronto, Ontario
Wapikwanew: Blossom. Group exhibition. Curator – Jaime Koebel. Karsh-Masson Gallery, Ottawa, Ontario
Arc Poetry Magazine 84: “Oh Canada, We Have Issues.” Ottawa, Ontario
Every.Now.Then: Reframing Nationhood. Group exhibition. Art Gallery of Ontario, Toronto, Ontario
Nayaano-nibiimaang Gichigamiin: The Five Great Lakes. Solo exhibition. Station Gallery, Whitby, Ontario
2016
Native Fashion Now: North American Indian Style. Group exhibition. Peabody Essex Museum, Salem, Massachusetts
Nayaano-nibiimaang Gichigamiin: The Five Great Lakes. Solo exhibition. Ojibwe Cultural Foundation. M’Chigeeng, Manitoulin Island, Ontario
Temporal (Re)Imaginings. Group exhibition. Curator – Alexandra Kahsenniio Nahwegahbow. Canada Council for the Arts Âjagemô Art Space, Ottawa, Ontario
Mnemonic (Re)Manifestations. Solo exhibition. Karsh-Masson Gallery, Ottawa, Ontario
(Exhibition Poster Version #1) (Exhibition Poster Version #2) (Exhibition Poster Version #3)
2015
Mnemonic Manifestations. Solo exhibition. Latcham Gallery, Stouffville, Ontario
Memory Landscape. Solo exhibition. Museu Nogueira da Silva, Universidade do Minho, Braga, Portugal
2013
Downloadable Poster – Red Runners: The new objectification of Native art and Identity
Downloadable Poster – A Reparative Act: Artist talk at History Department at Carleton University
2012
Changing Hands 3 – Art Without Reservations. Touring group exhibition. Museum of Art and Design, New York, New York
2010
N’nisidwaamdis: “I Recognize Myself. Touring group exhibition. Curated by Crystal Migwans. Ojibwe Cultural Foundation, M’Chigeeng, Manitoulin Island, Ontario (2010)
2006
Playing Tricks. Two person exhibition. Curated by Ryan Rice. American Indian Community House, New York, New York
2005
Super Phat Nish. Solo exhibition. Art Gallery of Southern Manitoba, Brandon, Manitoba
2003
The Dress Show: La mode dans tous ses états. Group exhibition. Curator – Lynn Beavis. The Leonard and Bina Art Gallery, Concordia University, Montréal, Québec
2000
Urban Myths. Group exhibition. Karsh-Masson Gallery, Ottawa, Ontario
Rough and Ready: A History of Cowboy Boots. Elizabeth Semmelhack. Rizzoli Electa. 
Craft and Craftivism: A Biographical Dictionary of Contemporary Ceramic, Fibre and Glass Artists in Canada. 
Brian Phillips. “Making Art from a Human Rights Standard.” 
Radical Stitch. MacKenzie Art Gallery (Regina). 
Future Imaginaries: Indigenous Art, Fashion, Technology. Autry Museum, Los Angeles 
Centre Intermondes 20 ans de résidences internationales d'artiste (2003 - 2023). La Rochelle, France. 
Early Days: Indigenous Art From The McMichael 
Histórias Indígenas [Indigenous Histories] Museu de Arte de São Paulo (Brazil) and Kode Bergen Art Museums (Norway). 
Bruce House Annual Report 2022 - 2023. 
Beyond the Bead | Barry Ace and Sharl G. Smith | Canadian Clay and Glass Gallery (Waterloo, Ontario) 
Fashion Fictions. Edited by Stephanie Rebick. Vancouver Art Gallery. 
Les Cahiers du CIÉRA (April 2023). 
Moving the Museum: Indigenous + Canadian Art at the AGO, edited by AGO curators Wanda Nanibush and Georgiana Uhlyarik. Goose Lane Editions (2022). 
Encoding Culture II - A new limited edition hard copy catalogue with essays by Leah Snyder (L.Project). 
Persistence/Resistance: Taiwan - Canada Indigenous Art Exhibition. Tainan Art Museum, Tainan, Taiwan. 
Persistence/Resistance. Exhibition Catalogue. Tainan Museum of Art (Taiwan). 
Looking the World in the Face. Dépliant/Brochure. Curator: Amin Asladen. Âjagemô art space (Canada Council for the Arts), Ottawa 
L'art autochtone et les traités coloniaux au Canada. A video short by the Musée d'ethnographie de Genève (MEG). April 2022. 
Encoding Culture II: The Works of Barry Ace. Video Short, Heffel Galleries (Montreal, Toronto, Calgary and Vancouver). (2022). 
Ottawa Art & Artists: An Illustrated History. By Jim Burant, Canada Art Institute (2022). 
Barry Ace curated. The Covert Collective. Essay by Suzanne Luke. 
"Encoding Culture: The Works of Barry Ace", Heffel Galleries (2021) 
Àbadakone | Continuous Fire | Feu continuel. National Gallery of Canada (2020). 
Coalesce - Wilfred Laurier University Press - Available Now 
“mazinigwaaso / to bead something – Barry Ace: Bandolier Bags as Cultural Conduit” FOFA Gallery, Concordia University, Montreal, Quebec (2019) 
Commemorative publication for the new Embassy of Canada in France (2019) 
Carbon and Light - Juan Geuer's Luminous Precision, Ottawa Art Gallery, Ottawa, Ontario (2019) 
URL: IRL.Dunlop Art Gallery, Regina, Saskatchewan (2018) 
"Contemporary Indigenous Arts in the Classroom," Ottawa Art Gallery, Ottawa, Ontario (2018) 
Encountering the Spiritual in Contemporary Art. Yale University Press, New Haven, Connecticut (2018) 
“Mnemonic (Re)Manifestations,” Wanuskewin Heritage Centre Gallery, Saskatoon, Saskatchewan (2017) 
"Àdisòkàmagan / Nous connaître un peu nous-mêmes / We'll all become stories" Ottawa Art Gallery, Ottawa, Ontario (2017) 
"Every. Now. Then: Reframing Nationhood" Art Gallery of Ontario, Toronto, Ontario (2017) 
"Unsettled" Queer Arts Festival, Vancouver, British Columbia (2017) 
"Queer Landscapes / Queer Intersections," John B. Aird Gallery, Toronto, Ontario (2017) 
"Insurgence / Resurgence" Winnipeg Art Gallery, Winnipeg, Manitoba (2017) 
"Canadian Biennial 2017" The National Gallery of Canada, Ottawa, Ontario (2017) 
"Nayaano-nibiimaang Gichigamiin: The Five Great Lakes," Station Gallery, Whitby, Ontario (2017) 
"Always Vessels" Carleton University Art Gallery, Ottawa, Ontario (2017) 
Arc Poetry Magazine 84: “Oh Canada, We Have Issues.” Ottawa, Ontario (2017)
"Nayaano-nibiimaang Gichigamiin: The Five Great Lakes," Ojibwe Cultural Foundation. M’Chigeeng, Manitoulin Island, Ontario (2016) 
“Mnemonic (Re)Manifestations,” Karsh-Masson Gallery, Ottawa, Ontario (2016) 
"Mnemonic Manifestations," Latcham Gallery, Stouffville, Ontario (2015) 
"Native Fashion Now: North American Indian Style" Peabody Essex Museum, Massachusetts (2015) 
"Memory Landscape," Museu Nogueira da Silva, Universidade do Minho, Braga, Portugal (2015) 
“Changing Hands 3 – Art without Reservations,” Museum of Art and Design, New York (2012) 
“m∂ntu’c – little spirits, little powers,” North American Native Museum, Zurich, Switzerland (2010) 
“N’nisidwaamdis: “I Recognize Myself,” Ojibwe Cultural Foundation, M’Chigeeng, Manitoulin Island, Ontario (2010) 
“Mother Earth, Father Skyline,” National Museum of the American Indian, Smithsonian, New York, New York, USA (2006) 
“Playing Tricks,” American Indian Community House, New York, New York, USA (2006) 
“Concrete Tipi,” National Museum of the American Indian, Smithsonian, New York, USA (2006) 
“Super Phat Nish,” Art Gallery of Southwestern Manitoba, Brandon (2005) 
“Super Phat Nish,” Art Gallery of Southwestern Manitoba, Brandon (2005) 
“The Dress Show: La mode danstoussesétats,” Leonard and Bina Art Gallery, Montreal (2003) 
“Urban Myths,” Karsh Mason Gallery, Ottawa, Ontario (2000) 
