Catalogues

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A listing of several catalogues are available through the Thomas J. Watson Library of the Metropolitan Museum of Art (New York, New York) through their on-line catalog, Watsonline. The Thomas J. Watson Library at the MET is an actively used site of research in modern and contemporary art, and one of the most comprehensive in the world.

The Heard Museum in Phoenix, Arizona also have a listing of publications through their on-line catalog, Billie Jane Baguley Library and Archives.

A COMPLETE CATALOGUE AND VIDEO LISTING:

2022

Moving the Museum: Indigenous + Canadian Art at the AGO. Edited by AGO curators Wanda Nanibush and Georgiana Uhlyarik. Goose Lane Editions (2022).

Encoding Culture II: The Works of Barry Ace. Video Short, Heffel Galleries (Montreal, Toronto, Calgary and Vancouver).

Encoding Culture II: The Works of Barry Ace.Heffel Galleries (Montreal, Toronto, Calgary and Vancouver). Essays by Leah Snyder.

Persistence/Resistance: Taiwan – Canada Indigenous Art Exhibition. Tainan Art Museum, Tainan, Taiwan.

Looking the World in the Face. Group exhibition. Curator: Amin Asladen. Âjagemô Art Gallery (Canada Council for the Arts), Ottawa, Ontario

Ottawa Art & Artists: An Illustrated History by Jim Burant, Art Canada Institute, Toronto, Ontario.

L’art autochtone et les traités coloniaux au Canada. A video short by the Musée d’ethnographie de Genève (MEG). April 2022.

Rencontre avec deux artistes engagés (Barry Ace and Cannupa Hanska Luger). ZOOM panel discussion by the Musée d’ethnographie de Genève (MEG). March 2022.

2021

Barry Ace curated. The Covert Collective. Essay by Suzanne Luke.

Encoding Culture: The Works of Barry Ace. Solo exhibition. Heffel Galleries (Montreal, Toronto, Calgary and Vancouver). Essays by Leah Snyder and Rosalin Te Omra.

Art of Indigenous Fibers. Group exhibition – Curator – Amber-Dawn Bear Robe. SWAIA on-line exhibition. Santa Fe, New Mexico

2020

Àbadakone / Continuous Fire / Feu continuel. Group exhibition. National Gallery of Canada, Ottawa, Ontario.

2019

Coalesce. Robert Langen Art Gallery, Wilfrid Laurier University, Waterloo, Ontario with essay by Armand Garnet Ruffo. (PDF catalogue).

mazinigwaaso / to bead something – Barry Ace: Bandolier Bags as Cultural Conduit. FOFA Gallery, Montreal, Quebec  (en français ici)

Carbon and Light: Juan Geuer’s Luminous Precision. Group exhibition. Curator – Caroline Seck Langill. Ottawa Art Gallery, Ottawa, Ontario

2018

URL: IRL. Group exhibition. Dunlop Art Gallery, Regina, Saskatchewan

Contemporary Indigenous Arts in the Classroom. Ottawa Art Gallery, Ottawa, Ontario

Àdisòkàmagan / Nous connaître un peu nous-mêmes / We’ll all become stories. Group exhibition. Ottawa Art Gallery, Ottawa, Ontario

Encountering the Spiritual in Contemporary Art. Leesa Fanning (Author), Ladan Akbarnia (Contributor), Stephen Gilchrist (Contributor), Eleanor Heartney (Contributor), Mary Jane Jacob  (Contributor), Karen Kramer Russell (Contributor), Elizabeth Milbourne (Contributor). Yale University Press, New Haven, Connecticut

2017

Homage to Four in Paris. A film short by Shelley Niro and edited by Katharine Asals. Special commission for the Ottawa Art Gallery, 2017. Collection of the Ottawa Art Gallery.

Unsettled. Group exhibition. Queer Arts Festival. Vancouver, British Columbia

Always Vessels. Group exhibition. Carleton University Art Gallery, Ottawa, Ontario

QueerLandscapes / Queer Intersections. Group exhibition. John B. Aird Gallery, Toronto, Ontario

Insurgence / Resurgence. Group exhibition. Winnipeg Art Gallery, Winnipeg, Manitoba

Canadian Biennial 2017. Group exhibition. National Gallery of Canada, Ottawa, Ontario

Mnemonic (Re)Manifestations. Solo exhibition. Wanuskewin Heritage Centre, Saskatoon, Saskatchewan (For Mnemonic (Re)Manifestations essay only by Alan Corbiere)

Raise a flag: works from the Aboriginal Art Collection (2000-2015). Group exhibition. Curator – Ryan Rice. OnSite Gallery, Ontario College of Art and Design University, Toronto, Ontario

Wapikwanew: Blossom. Group exhibition. Curator – Jaime Koebel. Karsh-Masson Gallery, Ottawa, Ontario

Arc Poetry Magazine 84: “Oh Canada, We Have Issues.” Ottawa, Ontario

Every.Now.Then: Reframing Nationhood. Group exhibition. Art Gallery of Ontario, Toronto, Ontario

Nayaano-nibiimaang Gichigamiin: The Five Great Lakes. Solo exhibition. Station Gallery, Whitby, Ontario

2016

Native Fashion Now: North American Indian Style. Group exhibition. Peabody Essex Museum, Salem, Massachusetts

Nayaano-nibiimaang Gichigamiin: The Five Great Lakes. Solo exhibition. Ojibwe Cultural Foundation. M’Chigeeng, Manitoulin Island, Ontario

Temporal (Re)Imaginings. Group exhibition. Curator – Alexandra Kahsenniio Nahwegahbow. Canada Council for the Arts Âjagemô Art Space, Ottawa, Ontario

Mnemonic (Re)Manifestations. Solo exhibition. Karsh-Masson Gallery, Ottawa, Ontario
(Exhibition Poster Version #1)   (Exhibition Poster Version #2)   (Exhibition Poster Version #3)

2015

Mnemonic Manifestations. Solo exhibition. Latcham Gallery, Stouffville, Ontario

Memory Landscape. Solo exhibition. Museu Nogueira da Silva, Universidade do Minho, Braga, Portugal

2013

Downloadable Poster – Red Runners: The new objectification of Native art and Identity

Downloadable Poster – A Reparative Act: Artist talk at History Department at Carleton University

2012

Changing Hands 3 – Art Without Reservations. Touring group exhibition. Museum of Art and Design, New York, New York

2010

N’nisidwaamdis: “I Recognize Myself. Touring group exhibition. Curated by Crystal Migwans. Ojibwe Cultural Foundation, M’Chigeeng, Manitoulin Island, Ontario (2010)

2006

Playing Tricks. Two person exhibition. Curated by Ryan Rice. American Indian Community House, New York, New York

2005

Super Phat Nish. Solo exhibition. Art Gallery of Southern Manitoba, Brandon, Manitoba

2003

The Dress Show: La mode dans tous ses états. Group exhibition. Curator – Lynn Beavis. The Leonard and Bina Art Gallery, Concordia University, Montréal, Québec

2000

Urban Myths. Group exhibition. Karsh-Masson Gallery, Ottawa, Ontario

 

 

  • Moving the Museum: Indigenous + Canadian Art at the AGO, edited by AGO curators Wanda Nanibush and Georgiana Uhlyarik. Goose Lane Editions (2022).
  • Encoding Culture II - A new limited edition hard copy catalogue with essays by Leah Snyder (L.Project).
  • Persistence/Resistance: Taiwan - Canada Indigenous Art Exhibition. Tainan Art Museum, Tainan, Taiwan.
  • Looking the World in the Face. Dépliant/Brochure. Curator: Amin Asladen. Âjagemô art space (Canada Council for the Arts), Ottawa
  • Ottawa Art & Artists: An Illustrated History. By Jim Burant, Canada Art Institute (2022).
  • Barry Ace curated. The Covert Collective. Essay by Suzanne Luke.
  • "Encoding Culture: The Works of Barry Ace", Heffel Galleries (2021)
  • Àbadakone | Continuous Fire | Feu continuel. National Gallery of Canada (2020).
  • Coalesce - Wilfred Laurier University Press - Available Now
  • “mazinigwaaso / to bead something – Barry Ace: Bandolier Bags as Cultural Conduit” FOFA Gallery, Concordia University, Montreal, Quebec (2019)
  • Commemorative publication for the new Embassy of Canada in France (2019)
  • Carbon and Light - Juan Geuer's Luminous Precision, Ottawa Art Gallery, Ottawa, Ontario (2019)
  • URL: IRL.Dunlop Art Gallery, Regina, Saskatchewan (2018)
  • "Contemporary Indigenous Arts in the Classroom," Ottawa Art Gallery, Ottawa, Ontario (2018)
  • Encountering the Spiritual in Contemporary Art. Yale University Press, New Haven, Connecticut (2018)
  • “Mnemonic (Re)Manifestations,” Wanuskewin Heritage Centre Gallery, Saskatoon, Saskatchewan (2017)
  • "Àdisòkàmagan / Nous connaître un peu nous-mêmes / We'll all become stories" Ottawa Art Gallery, Ottawa, Ontario (2017)
  • "Every. Now. Then: Reframing Nationhood" Art Gallery of Ontario, Toronto, Ontario (2017)
  • "Unsettled" Queer Arts Festival, Vancouver, British Columbia (2017)
  • "Queer Landscapes / Queer Intersections," John B. Aird Gallery, Toronto, Ontario (2017)
  • "Insurgence / Resurgence" Winnipeg Art Gallery, Winnipeg, Manitoba (2017)
  • "Canadian Biennial 2017" The National Gallery of Canada, Ottawa, Ontario (2017)
  • "Nayaano-nibiimaang Gichigamiin: The Five Great Lakes," Station Gallery, Whitby, Ontario (2017)
  • "Always Vessels" Carleton University Art Gallery, Ottawa, Ontario (2017)
  • Arc Poetry Magazine 84: “Oh Canada, We Have Issues.” Ottawa, Ontario (2017)
  • "Nayaano-nibiimaang Gichigamiin: The Five Great Lakes," Ojibwe Cultural Foundation. M’Chigeeng, Manitoulin Island, Ontario (2016)
  • “Mnemonic (Re)Manifestations,” Karsh-Masson Gallery, Ottawa, Ontario (2016)
  • "Mnemonic Manifestations," Latcham Gallery, Stouffville, Ontario (2015)
  • "Native Fashion Now: North American Indian Style" Peabody Essex Museum, Massachusetts (2015)
  • "Memory Landscape," Museu Nogueira da Silva, Universidade do Minho, Braga, Portugal (2015)
  • “Changing Hands 3 – Art without Reservations,” Museum of Art and Design, New York (2012)
  • “m∂ntu’c – little spirits, little powers,” North American Native Museum, Zurich, Switzerland (2010)
  • “N’nisidwaamdis: “I Recognize Myself,” Ojibwe Cultural Foundation, M’Chigeeng, Manitoulin Island, Ontario (2010)
  • “Mother Earth, Father Skyline,” National Museum of the American Indian, Smithsonian, New York, New York, USA (2006)
  • “Playing Tricks,” American Indian Community House, New York, New York, USA (2006)
  • “Concrete Tipi,” National Museum of the American Indian, Smithsonian, New York, USA (2006)
  • “Super Phat Nish,” Art Gallery of Southwestern Manitoba, Brandon (2005)
  • “Super Phat Nish,” Art Gallery of Southwestern Manitoba, Brandon (2005)
  • “The Dress Show: La mode danstoussesétats,” Leonard and Bina Art Gallery, Montreal (2003)
  • “Urban Myths,” Karsh Mason Gallery, Ottawa, Ontario (2000)